Uad Compressor Vst Free Download

03.01.2021
  1. Uad Compressor Vst Free Download Fl Studio 12
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The LA-2A is arguably one of the most popular compressors ever invented. Revered for its rich, warm tone and smooth, musical compression characteristics, the LA-2A has been a favorite amongst engineers for over 50 years.

In this article, we’ll break down some of the most popular LA-2A emulations to help you determine which one is right for you.

Teletronix LA-2A

The LA-2A was the first compressor to use a tube-driven optical attenuator to achieve gain reduction. The T4 optical attenuator is entirely program-dependent, allowing the compression ratio and release time to vary greatly based on the source material.

The average attack time is fixed at 10 milliseconds, but the LA-2A’s signature sound comes from its unique release characteristic. The initial release time is fixed at 60 milliseconds for 50% of the release, and anywhere from one to 15 seconds for the full release, depending on the program material.

Due to the largely automatic nature of the LA-2A, it features very simple controls: Peak-Reduction knob, Gain Control for make-up gain, and a Limit/Compress switch to adjust the compression ratio.

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About the Audio Files

We put some of our favorite LA-2A emulations to the test on drums, bass and vocals with approximately 3 to 5 dB of gain reduction.

Here are unprocessed versions of the three audio files …

Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_1.wav

Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_1.wav

Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_1.wav

1. UAD Teletronix LA-2A

Universal Audio offers one of the most accurate LA-2A emulations available, which makes sense since they own the patent. While it doesn’t offer any new features, it does an excellent job of capturing the LA-2A’s signature sound and analog warmth.

In addition to the standard LA-2A Classic, Universal Audio also offers the LA-2A Classic Leveler Plugin Collection, which features emulations of the original “Gray” Teletronix version, the reissued “Silver” UREI version, and the exceptionally rare predecessor to the LA-2A, the LA-2. Each model offers a slightly different take on the iconic sound.

For the purposes of this shootout, we used the “classic” leveling amplifier.

As always, you’ll need some form of UAD DSP hardware to support these plugins.

UAD Teletronix LA-2A – Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_2.wav

UAD Teletronix LA-2A – Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_2.wav

UAD Teletronix LA-2A – Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_2.wav

2. PSP MixPressor2

PSP’s MixPressor2 is easily the most advanced LA-2A-style compressor available. It emulates the classic characteristics of valve and opto-compressors as well as modern compression designs.

The MixPressor2 features fully variable attack and release times, including automatic settings. It also offers options for look-ahead compression for a more modern sound, as well as selectable RMS and peak modes for a variety of sonic options.

It features a Mix control for parallel compression as well as an input for sidechain compression. It also offers a highly configurable sidechain filter — including an option to use the unit as a de-esser.

The first thing you’re likely to notice about the MixPressor2 is its rich, warm analog saturation. Load it on any channel for an instant analog vibe.

The MixPressor2 is available as part of PSP’s MixPack2.

In order to emulate the sound of a traditional LA-2A, we used the “fast” attack setting, “slow” release setting in RMS mode. 3utools mac version.

PSP Mixpressor 2 – Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_3.wav

PSP Mixpressor 2 – Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_3.wav

PSP Mixpressor 2 – Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_3.wav

3. Brainworx bx_opto

The bx_opto by Brainworx is packed with versatile new features not found on the original LA-2A. The most notable of which is the Speed control, which allows you to dial in the transient response of the compressor. While the bx_opto does utilize the program dependent attack and release times, the Speed control enables you to shape the sound in ways the original LA-2A never could.

bx_opto also features a fully sweepable sidechain filter all the way from 20 Hz to 20 kHz. Choose between high-pass, low-pass, gentle band-pass or aggressive band-pass filter options. A dedicated Mix control lets you dial in the perfect amount of parallel compression.

In order to emulate the sound of a traditional LA-2A, we used the default Speed and Sidechain settings.

Brainworx bx_opto – Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_4.wav

Brainworx bx_opto – Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_4.wav

Brainworx bx_opto – Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_4.wav

4. Native Instruments VC 2A

The VC 2A from Native Instruments sounds silky-smooth and offers an array of updated features. It still utilizes the original automatic attack and release controls, but it introduces a high-pass filter to avoid pegging the needle when compressing bass-heavy signals.

It also features a dedicated sidechain gain control for sidechain compression and a wet/dry control for parallel compression.

And at just $99, it’s one of the most affordable emulations on the list.

Native Instruments VC 2A – Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_5.wav

Native Instruments VC 2A – Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_5.wav

Native Instruments VC 2A – Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_5.wav

5. IK Multimedia White 2A Leveling Amplifier

IK Multimedia’s While 2A Leveling Amplifier nails the unique program dependent characteristic of the original LA-2A. However, it doesn’t emulate the analog tube characteristics of the analog units, making it an excellent choice for smoothing out dynamic performances with transparency.

The White 2A Leveling Amplifier is also available as part of their T-RackS 5 Deluxe and T-RackS 5 MAX.

IK Multimedia White 2A – Drums

https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_6.wav

IK Multimedia White 2A – Bass

https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_6.wav

IK Multimedia White 2A – Vocals

https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_6.wav

Honorary Mentions

These are just five of our favorite LA-2A emulations — there are dozens available, each with their own sound.

McDSP’s 6030 Ultimate Compressor features two modules modeled after the LA-2A: the Opto-C and the Opto-L, modeled after the compression and limiting characteristics of the original unit.

Waves offer a spot-on emulation with their CLA-2A, with optional analog noise.

Cakewalk also offers a meticulously modeled emulation with a variable high-pass filter called the CA-2A.

And the best part is, most of the plugins on this list offer free trials, so you can try them out for yourself! Auto tune 8 vst dll.

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Send your bass in parallel to the and push the input to add excitement and vibe, while still maintaining the dynamics of the original signal. The high-end is unmatched. Intuitive, and easy to use, but also full of character and interesting tones. Despite having minimal controls, this emulation of the classic hardware compressor is free uad plugins download versatile.

Various plugin give-aways when buying hardware? Not knocking UAD but they’re not the only company that have deals for their users!

Has Apple ever given away anything? Chris With all due respect I don’t think you’ll convince me that digi is exactly generous to their customers. I bought a 25k system and then paid for mp3 and OMF support My original point about TDM, was that it is a proprietary format that is tied to outdated hardware and is more likely to become extinct long before AU or VST. To try their plugs or just to know if it’s compatible with my system I have to buy a card.

UAD is not the “angel” company some would like us to believe it is. As [bleep][bleep][bleep][bleep]ty as that is and I do sympathize , being TDM that kind of illustrates my original point. Amp farm anybody? I don’t disagree, but when it comes to marketing and customer relations, I much prefer UAD to digi. Not that they’re perfect, but UAD strives to be as compatible as they can.

Digi on the other hand strives for exclusivity. Mikey MTC , I mean why is Dave working with those guys and not a TDM developer? Maybe because TDM has a date with destiny? According to the UA video this is a pretty intensive model that might be too much for the current TDM cards. These complaints are all about TDM.

Uad Compressor Vst Free Download Fl Studio 12

Wait a year or so and see if UA is the only company you have these complaints about then. WHERE are you getting your “facts” from????? Why wouldn’t they?? Then how do you explain waves’ netshell stuff being RTAS compatible Why ALL of them would rather have to work through bugs in the fxPansion wrapper and put asterisks on their marketing materials. Digi has never, not once, gone on the record as to why they are refusing these licenses.

The Waves accelerator thing I think goes through the WaveShell which is in effect its own wrapper. I don’t think Digi can block it, and Waves has quite a bit of muscle for historical reasons.

Aha, you are hot on the trail! Denying the RTAS license digi is trying to do what now? Get them on the record. I never was able to.

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