Is Lil Durk Auto Tune
What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.
Lil Durk Autotune
Nov 09, 2018 Key and BPM for India Pt. II by Lil Durk. Also see Camelot, duration, release date, label, popularity, energy, danceability, and happiness. Get DJ recommendations for harmonic mixing. RatingsGameMusic.com wrote about this tune, 'When Lil Durk straight up raps, he's as goonish as it gets.In 'No Auto Durk', you get just that, as he proclaims his gangsta ways to the people using a twisted flow that sounds nearly identical to the one that Herbo uses in his music.' Dec 21, 2018 Recommendations for Harmonic Mixing. The following tracks will sound good when mixed with Only The Family, Lil Durk - No Auto Durk (feat.Lil Durk), because they have similar tempos, adjacent Camelot values, and complementary styles. Mar 13, 2020 “No Auto” is a collaboration between rappers Lil Uzi Vert and Lil Durk. The song–which samples Lil Wayne’s “BM J.R.”–was first teased by Lil Durk with a snippet posted to Twitter on.
But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.
In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.
Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.
Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.
So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.
To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.
I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.
So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.
Is Lil Durk Auto Tuneup
In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.
But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.
The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.
The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.
Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.
So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.
Here's why your Auto-Tune doesn't sound like the pros:
The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears.
Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)
So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.
This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.
If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.
If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:
Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.
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Remember My Name | ||||
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Studio album by | ||||
Released | June 2, 2015 | |||
Recorded | 2014–15 | |||
Genre | ||||
Length | 41:11 | |||
Label | ||||
Producer |
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Lil Durk chronology | ||||
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Deluxe edition cover | ||||
Singles from Remember My Name |
Remember My Name is the debut studio album by American hip hop recording artist Lil Durk. It was released on June 2, 2015, by Only the Family and Def Jam Recordings. The albums production was handled by C-Sick, DJ L, FKi, London on da Track, Metro Boomin, Vinylz, Young Chop and more, with fellow Def Jam label-mates Jeremih and Logic were the featured artists. The album garnered a positive reception but critics were mixed on the gangsta rap content and Auto-Tune delivery of them. Remember My Name debuted at number 14 on the Billboard 200 and only released one single: 'Like Me'.
Critical reception[edit]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 61/100[1] |
Review scores | |
Source | Rating |
AbsolutePunk | (50%)[2] |
AllMusic | [3] |
Billboard | [4] |
Complex | [5] |
Consequence of Sound | C+[6] |
HipHopDX | [7] |
Pitchfork | 5.6/10.0[8] |
Rolling Stone | [9] |
Remember My Name received generally positive reviews from music critics but were divided on Durk's Auto-Tune flow and lyrical content. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 61, based on 8 reviews.[1]
David Turner from Rolling Stone praised Durk for maintaining a delivery of dark ghetto lyrics over a mainstream budget, concluding that 'He's nowhere near forgetting how hard times were for him, and remain for so many in his hometown.'[9] Meaghan Garvey of Billboard praised the album for being able to 'strike a graceful balance between gritty roots and big-budget sheen, recruiting underrated drill producers (DJ L, C-Sick) whose slick beats are highlights.'[4]AllMusic's David Jeffries said that despite retreads of 'Like Me' found throughout the album, he highlighted tracks like 'Tryna' Tryna' and 'What Your Life Like' as lyrical standouts, saying that 'Drenched in Auto-Tune and more frustrated than a ringtone rapper should be, Lil Durk turns in a surprisingly down effort.'[3]
Kellan Miller of HipHopDX was mixed about the album, praising Durk's lyricism on self-reflecting tracks like 'Resume' and 'Don't Judge Me' but felt his personal life forced him to fabricate certain stories with gangsta rap clichés, saying that, '[T]he title's overt demand for permanent residency in the collective consumer's cerebral cortex ultimately amounts to Remember My Name's slightly-above mediocre status.' He also said that it will only appeal to loyal Durk fans.[7] Jill Hopkins of Consequence of Sound felt the album suffered an identity crisis when it went from hard-hitting hip-hop to soft-willowing R&B due to the use of Auto-Tune, concluding that 'A record this anticipated by a man so young, with so much riding on it should sound more important. Instead, Remember My Name sounds a lot like a lot of other things.'[6] Jake Jenkins of AbsolutePunk found the album a disappointing let-down, criticizing the middle part for being filler and Durk's limited musicianship revealing a flawed transition from mixtape to full-length project, saying, 'That's not the kind of rapper Durk is, at the moment anyway, and all over Remember My Name you get the awkward feeling that Durk is completely out of his element.'[2]
Commercial performance[edit]
The album debuted at number 14 on the US Billboard 200, with 28,000 equivalent album units; it sold 24,000 copies in its first week, with the remainder of its unit count attributed to streaming activity and track sales.[10] It has sold 48,000 copies in the United States as of June 2016.[11]
Track listing[edit]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | '500 Homicides' | C-Sick | 2:43 | |
2. | 'Amber Alert' | Metro Boomin | 3:03 | |
3. | 'Like Me' (featuring Jeremih) |
| 3:58 | |
4. | 'Lord Don't Make Me Do It' |
| FKi | 3:49 |
5. | 'Don't Judge Me' | B Wheezy | 3:09 | |
6. | 'Tryna' Tryna' (featuring Logic) |
| DJ L | 3:20 |
7. | 'Higher' | DJ L | 3:32 | |
8. | 'Resume' |
| Young Chop | 3:13 |
9. | 'What Your Life Like' | Young Chop | 3:07 | |
10. | 'Why Me' |
| London on da Track | 3:52 |
Total length: | 33:46 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
11. | 'Ghetto (Grew Up)' (featuring Hypno Carlito) | Young Chop | 3:53 | |
12. | 'Remember My Name' (featuring King Popo) |
| 3:28 | |
Total length: | 41:11 |
Charts[edit]
Chart (2015) | Peak position |
---|---|
US Billboard 200[12] | 14 |
US Top R&B/Hip-Hop Albums (Billboard)[13] | 2 |
References[edit]
- ^ ab'Reviews for Remember My Name by Lil Durk'. Metacritic. CBS Interactive. Retrieved June 10, 2015.
- ^ abJenkins, Jake (June 8, 2015). 'Lil Durk - Remember My Name'. AbsolutePunk. Archived from the original on June 8, 2015. Retrieved May 1, 2016.
- ^ abJeffries, David. 'Remember My Name - Lil Durk'. AllMusic. Retrieved May 1, 2016.
- ^ abGarvey, Meaghan (June 9, 2015). 'Chi-Town Rapper Lil Durk Balances Grit and Gloss on Major-Label Debut: Album Review'. Billboard. Prometheus Global Media. Retrieved June 10, 2015.
- ^Charity, Justin (June 2, 2015). 'Review: Lil Durk Spreads Himself Thin on Def Jam Debut 'Remember My Name''. Complex. Retrieved May 1, 2016.
- ^ abHopkins, Jill (May 29, 2015). 'Lil Durk – Remember My Name'. Consequence of Sound. Retrieved June 10, 2015.
- ^ abMiller, Kellan (June 11, 2015). 'Lil Durk - Remember My Name'. HipHopDX. Cheri Media Group. Retrieved May 1, 2016.
- ^'Lil Durk: Remember My Name'. Pitchfork. June 2, 2015. Retrieved June 10, 2015.
- ^ abTurner, David (June 12, 2015). 'Lil Durk Remember My Name'. Rolling Stone. Wenner Media. Retrieved May 1, 2016.
- ^Harling, Danielle (June 10, 2015). 'Hip Hop Album Sales: Lil Durk, Jason Derulo & Boosie Badazz'. HipHopDX. Cheri Media Group. Retrieved June 10, 2015.
- ^'Upcoming Releases'. Hits Daily Double. HITS Digital Ventures. Archived from the original on June 2, 2016.
- ^'Lil Durk Chart History (Billboard 200)'. Billboard. Retrieved June 20, 2015.
- ^'Lil Durk Chart History (Top R&B/Hip-Hop Albums)'. Billboard. Retrieved June 20, 2015.